Pieter Lategan | STUDIO - Visual artist and writer working between figuration and abstraction.

My work explores stillness, inward presence, and quiet authority within contemporary African life through a painterly language I describe as Quiet Monumentalism.

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Silent Monumentalism & Mukurob also kown as "Gods Finger" a Natural Monument in Nambia (Update)

Update 4 February 2026 - Redesing of the Mukurob/ "Gods Finger" In Prosses click here Change 1: Create an opening on either the...

From Style to Discipline: Structural Notes Toward Silent Monumentalism ( Video Update 19 January 2026)

Image 1 — Hand Notes Sketch Image 2 — Structural Block Study By Pieter Lategan — Personal Working Notes 16 January 2026, Pretoria, South A...
Silent / Quiet Monumentalism - Version 1 vs Version 2

Silent / Quiet Monumentalism - Version 1 vs Version 2 | Pieter Lategan Seated Figure - Top View (Study II) Silent Monumentalis...

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Pieter Lategan | STUDIO

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Quite Monumentalism - Discipline
Contact Pieter Lategan

Pieter Lategan Style: Quiet Monumentalism

Pieter Lategan: Pretoria, Gauteng, South Africa; Welcome to Pieter Lategan | STUDIO — Contemporary South African Art, Design & Quiet Monumentalism Pieter Lategan | STUDIO is the online home of a multidisciplinary South African visual artist and designer working across contemporary fine art, digital studies, and creative design. This blog documents Pieter’s ongoing studio practice, artistic research, and visual exploration through his unique artistic approach known as Quiet Monumentalism — a style focused on stillness, structural balance, inward presence, and visual strength rather than narrative or decoration. Here you will find figure drawings, digital art studies, structural compositions, design research, and process-driven creative work that demonstrate a disciplined approach to form, space, and material. Each project contributes to the development of finished artworks and contemporary design concepts. This blog serves as both a creative archive and professional studio journal, showcasing contemporary art projects, visual research, and evolving insights into Quiet Monumentalism as a modern artistic discipline. Pieter’s work is guided by the belief that form should exist with dignity and authority on its own,

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